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“Grossman sang “Wiegala” gracefully and woefully, conjuring images of pastoral breezes and bright moonlight—a performance suggesting that “Wiegala” is overdue to take its rightful place in the lullaby canon alongside the best-loved classics".

—Leah Borts-Kuperman, The Whole Note
“Jaclyn (whose voice is sounding better than ever) and Nate own this music and we got nuanced, moving accounts of all the songs definitely enhanced by Daniel on violin.”

—Opera Ramblings
“The night’s program took us through a complicated musical terrain,.. what was striking about it was the range of feeling, often hopeful rather than morose, that animated the proceedings throughout. Of course, even in the most dire of circumstances human beings and their art are nothing if not multifaceted and the work had plenty of contrast and variety.”

—Boor About Town
“...it is quite something to be exposed to art that survived such cataclysmic horror.”

—Boor About Town

— Lynn Slotkin, The Slotkin Letter

“Grossman sang “Wiegala” gracefully and woefully, conjuring images of pastoral breezes and bright moonlight—a performance suggesting that “Wiegala” is overdue to take its rightful place in the lullaby canon alongside the best-loved classics".